J.J. Moros, through three-dimensional compositions, plays with volumes, combining positive and negative spaces, thus generating a complementary echo that stimulates the imagination and accompanies the appropriation of the object. We witness a complicit dilution of the rigidity of iron and the serenity of monochrome into an interesting dynamism of lights, shadows, and visual malleability. A labyrinth, perhaps oneiric, of hidden realms stimulates the imagination, recreates curiosity, the search for possibilities in the angles, in the silent hollows, in the reverberations that resonate in the work and make us part of that universe. We are direct witnesses to J.J. Moros' inquiries: of geometric forms inhabiting certainties; of the precise limits that structures define in a close symbology; and, that represent us and contain us in a permanent, simultaneous dialogic unity, both personal and external. We exhibit in our spaces the Latin Square (2010) and Space and Circles (2015). Again, one of our halls exhibits and attests to Moros' constant and continuous creative proposal. Today his interest focuses on circular segments such as the semicircle.
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